Sunday, September 02, 2007

B is for Boy Band

.. not just ANY boy band. THE Boy Band. For real.
Our intrepid glob trotting Nokia aficionado, VRN, alerted us to this glittering musical pearl.
Bunch of hunky guys professing their love to..:

the NEW Nokia N81. For real!
Nice try, guys! I'm a swivel type of gal and I love my bronze Nokia 7370. But, really, good sell.
It's not just classical music that these Finns do so well.
Speaking of nice Nokia guys, I recently went to a presentation by Jan Chipchase, from Nokia's design team, on Nokia's global search for the perfect phone. How could such cool thing happen at my workplace...Here's a shout out to Jan, whose Future Perfect blog is a thing of beauty and some deeper thought.
All the best to Nokia on their quest for - ehm, I have no idea what THIS is about. But I am surely it will be designed beautifully.

C is for Clean

I have been test driving the new Itunes plus- about which more later- and I decided that it would be good to obtain another recording of Mozart's Mass in C. "Another recording" does not mean getting the umpteenth version of, let's say, Mozart's Requiem (in any case, I only have a dozen of these) but rather getting something new and decent- the only great Mass I have is some ancient Marriner with von Otter and Kiri.
I remembered that Dessay and Gens recorded this recently with Langree. Voila - there it is, available on Itunes Plus. But wait- not only is it 256 bits and DRM free, it also has CLEAN LYRICS!!!!

Thank God, they bleeped out all the offensive Latin bits, but what about these secret hidden Masonic messages in the text? Plus we know how Mozart loved a good fart and ass kissing "on both cheeks". SO is it REALLY safe????
... I have looked at several versions of Carmina Banana on iTunes plus. Ha! No clean up there! So, roasting swans, clergy drinking in taverns, horny rouge touting wenches AND loosening the rims of virginity are OK, but Kyrie Eleison needs to be disinfected?
Totally confuscated now.

Soho the Dog Quiz

OK, I came up with my answers to this very wicked quiz.

1. What's the best quotation of a piece of music within another piece of music?
Figaro's Non più andrai in Don Giovanni. I had no idea it was there, and when I first sat down to listen to Don G, I barely knew Le Nozze, so when this piece came up, I scratched my head and said "Isn't this what Mozart plays in Amadeus when he is showing Salieri up..?" These days I know better, but it's such a cool cross-marketing.

2. Name the best classical crossover album ever made.
Am not a connosieur of crossover, but Juan Diego's Sentimiento Latino is preeety good.

3. Great piece with a terrible title.
There are number of Bach cantatas (especially The World is my Hospital series) with particularly nasty titles but Mein Herz schwimmt im Blut takes the crown.

4. If you had to choose: Benjamin Britten or Michael Tippett?
Benji. Silly question.

5. Who's your favorite spouse of a composer/performer? (Besides your own.)
The first Ms Gesualdo!

6. Terrible piece with a great title.
The Assassin Tree. Well, am not sure just how bad it is, but how can it live up to such a great title...?

7. What's the best use of a classical warhorse in a Hollywood movie?
I love The Smell of Valkyries in the Morning- so here's another vote for Wagner in Apocalypse Now, but my personal favorite is Il Dolce Suono from Lucia di Lammermoor in Fifth Element.


8. Name the worst classical crossover album ever made.
Any album by Renee Fleming would qualify, especially her Xmas Special (complete with the film edition), known as le Sacred Cow, but if I had to pick one, it would be her Handel album.
BTW, Amazon has removed my review of the Sacred Cheese for "spiteful content"- in other words, it was too scathing and funny and zee righteous Flemingos were pissed off- but a shorter version survives on iTunes. Jpeg version here:

9. If you had to choose: Sam Cooke or Marvin Gaye?
Marvin. Better songs.

EXTRA CREDIT:

For early-music nerds: Name a completely and hopelessly historically uninformed recording that you nevertheless love.
Flagstad singing Gluck and Bach. So wrong. It's Flagstad. I love it.

Monday, August 27, 2007

Jacobs does Don part I


Finally, at long last! Concrete release dates and promos are being rolled out!
Harmonia Mundi will release René Jacobs' Don Giovanni in Europe on Sept 27 , US of A gets it on October 9, both as a SuperAudio CD (Amazon does specify it is an import and a hybrid disc) and a regular version. I will likely get the hybrid, not that I have any illusions about being able to play the SupC part just yet, but, just in case...
There are two audio samples available at HM site: the overture (sounds appropriately ominous) and Deh vieni alla finestra (sounds like nothing special...)
The cast is largely the same as in the Innsbruck production. Minus Lacroix costumes... please to release DVD at some point in the future, please! I am much looking forward to Pendatchanska; have not heard enough from the other singers to have an opinion.
The Don is young and completely unknown to me, but he does have a beautiful light baritone voice that is a must for me, for this role. I hate proper bassos singing Don... Judging by the Deh vieni sample, Johannes Weisser is not in the league of Peter Mattei, the best Don in this Galaxy (the Universe is too big and full of empty holes to count) but let's hear the whole thing first.
Someone kindly posted badly synchronized, but very interesting videos of the recording sessions on YouTube:

YouTube - René Jacobs - Don Giovanni Recording Sessions: Part 1

YouTube - René Jacobs - Don Giovanni Recording Sessions: Part 2

YouTube - René Jacobs - Don Giovanni Recording Sessions: Part 3

True to his form, Jacobs promises radical, wild and crazy things... for example, a very SLOW Fin ch'han dal vino ("there is a trill in this aria.. have you ever heard it?") . The cover follows the style of his Nozze and Cosi, and the box will look very nice on the shelf. Oh, and there's the music too, with outstanding sound production, I'm sure, enough to raise any neighborhood statues back to life...
-so why am I so blasé about this Don? Have I not been waiting with baited breath for years? Well yes, but in the meantime, Daniel Harding's recordings, the CD- available in iTunes - and the Brook's production on DVD came my way and nothing's been the same way since...

Compression Oppression 2.0

It's only been a year since my last rant on rampant compression...? Well, I just read a more detailed account of that horrible procedure (thanks to Slashdot for bringing this to our attention.)
Over this weekend, I sat down and slashed my meager "rock, pop and metal" material on iTunes down, again, and could not fail to notice that of what remains, it's mostly old old 80s things. Not that Metallica's opus Magnum, Master of Puppets (first album on my first iPod!) does not need re-mastering- it sounds like $hit- but if they were going to make it sound like ze Black Album, then no thanks. Even such strange casualties as bunch of Nick Cave albums- Let Love In, for once- there was so much compression, they had to go. I can't listen to them any more , it's just physically oppressive, like trying to read Anne Rice vampire novels.
The article in IEEE (which also comes in cute multimedia version) makes a good and valid point of new media formats going to waste. But one memory I took from reading it is that, as usual, Sony was somehow responsible for the mess. Duh. SONY. Yee of rootkits and warring, inter-suing divisions. Oh, I have my own Sony stories. How about this: having acquired Sony's own PlayStation recently (the only console that my household was missing thus far), finding out that the sound from blue ray discs would get clipped and generally screwed coming out at the other end, on Sony's own receiver? And that Sony's own Super Audio CDs will NOT play on PlayStation? After half an hour of configuring the PS for SupCs, using the available menu item, disclaimer pops out, something about this format "not being supported". Granted, I only own three SupCs, one is Harnoncourt's freaky take on Mozart's Requiem which was released as hybrid/dual format; the other two I got by accident when trading CDs on LaLa. So, no great loss there, just a snigger at the royal sarary chrysanthemum mess that is Sony. (Can you tell I just read this book?)

Saturday, September 30, 2006

Compression Oppression and Equalizer for All

I read this excellent article, courtesy of Sasha FJ/Alex from The Rest is Noise, which finally explains why most of the recent non-classical albums I have been subjected to sounded so... oppressing is the word, methinks. Ha! I knew they were up to something, just didn't know the details. Alex has a fascinating picture of what can only be called a brick of sound in his follow up post. He also mentions the tricky issue of safe shuffle use on iPod when playing a mix of classical and these souped up tracks. Well, gee, there's an easy fix for that. Getting the bands and sound engineers off the Compressed Till Your Ears Bleed wagon- that'll take some time.
First of all, let it be known that I heart them iTunes very much, except that buggy new version no 7 which made every piece of music on my PC sound distorted, hissy, overamped and totally unlistenable. I had to resort back to version 6.5 and that was a painfully messy operation, but at least I can again listen to my sprawled collection. The back and forth update also wiped out the customized equalizer settings I had for certain albums, so I had to go back to working these sliding thingies again, to assure peaceful shuffle times on the Washington Metro Second Circle of Hell (ie morning commute.) I use these settings mostly to bring down the levels of rock, pop and Bollywood songs, but also to fix up other audio issues. Seems like this is not a very well known feature, strangely- if you ask me, that's one of the best things about iTunes. I figured I will post it for the good of the mankind and aural stability of folks like me who have, shall we say, very eclectic collections of music. I don't mean eclectic as in "not just pop, but also rock and country", I mean mix of classical- Gesualdo, Reneissance lute songs, mostly Mozart everything, 1950s Wagner recordings, 1902 Moreschi and such, along with Indian, Polish and global village music, plus Bjork and loosely defined rock, heavy metal, death metal and symphonic death metal.
The equalizer on iTunes, that neat little thing, allows you to set up customized equalizer presets for any particular album or individual songs and save them as default for these tracks- and these settings can include volume up or down.


To simply squash the volume, let's say on these fabulous screaming Soundgarden songs: pull up the equalizer, best if the songs in questions are playing so you can hear how different settings affect the volume, choose the Manual setting from the drop down menu on the top, and set the left side "Preamp" bar lower to reduce the dB level. This goes from -12 db to +12 and allows for quite a range. Whenever you think it's low enough, click in the drop down menu again and select "Make preset" to save your preset under a given name (QuietGarden, for example.)
Then go to Library, highlight the Soundgarden song(s) and right click on "Get Info"; once you are there, select the "Options" tab and choose the "QuietGarden" from the Equalizer Preset drop down menu.
If it's just less volume you want, you can also use the Volume Adjustment slider right above the Equalizer Preset, but I find that this one is a very blunt and tool and can squash the sounds too much with just a slight slide to the left and so I use it less often, or, lately, not at all.
If you pick the custom preset- and BTW this can also be used for albums and other collections, just select the whole lot and click get Info- then just click OK and voila, it's saved as the default equalizer setting for that Soundgarden song from now till kingdom (or new iTunes update, God help us) comes and it's safe to shuffle at will.
Even during time on Washington Metro Third Circle of Hell (afternoon commute.) And for all these people with their portable players who listen to their oompa oompa music on such loud settings that the whole Metro car can hear it out of their headphones: "F&CK YOU RIGHT IN THE EAR< YOU STUPID< SOON TO BE DEAF GITS!" Ah, the sound of silence... and Fretwork and Kirkby doing Byrd...

Saturday, April 22, 2006

The Secret World of Spiral San Diego Seaweed

I was in San Diego for the Baroque fiesta of Julius Caesar, but even with all the da capo attractions, I could not help but notice that the local seaweed are something else. Seaweed is my kind of thing, tasty and mysterious, but some shapes and forms I have seen around the area... Los Alamos runoff?